WU Percussion presents an outdoor percussion concert

  • Von Hansen, assistant professor of music, kicks off the concert with Ivan Trevino’s “Catching Shadows” performed by Cameron Arnold, sophomore double major in music education and music performance, Miles Moore, junior mass media major and Daniel Buller, economics major. The composer visited and worked with the Washburn percussion group in April 2022.

  • “Flower Pot Music No. 1” by Elliot Cole uses the flowerpots handpicked by Hansen from the local store. This piece was performed by Simon Walrod, freshman in music education, and Gavin Delong, freshman in mass media,to showcase the possibilities of making music out of pitched flower pots.

  • The group performs the works of Philip Glass from his album “Aguas da Amazonia” which was arranged by Third Coast Percussion so it could be played on various percussion instruments. The tuned copper pipes and bell gongs were used as they performed “Madeira River” and “Xingu River” from Glass’s album.

  • The group performs their most challenging piece that led them to win the annual Kansas Percussive Arts Society Ensemble Competition, “The Whole Toy Laid Down” by Dave Hollinden. The song was published in the 1990s and it continues to be a daunting challenge for any group to put on.

  • Arnold, Buller and Delong play “Shui,” meaning water, by Juri Seo, a song that was written for an instrument called “crotales,”with which the players hit the crotales jointly or with triangle beaters. This piece deals with how water interferes and interacts with the music.

  • The final performance features “Fly As Me” by Silk Sonic, “Sir Duke” by Stevie Wonder, and “What is Hip” by Towers of Power, which was accompanied by Van Hosen Hansen and Owen Scott, freshman in music. These tunes were arranged by Hansen for Washburn’s new steelpan group: Washburn University Steel.

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On April 20, 2023, Von Hansen, the assistant professor of music, coordinated a much-anticipated percussion concert outside between the Mulvane Museum and Memorial Union.

The concert featured six performers along with Hansen himself who directed and hosted the concert. In accordance with the tradition, Hansen shared the reason he chose to have the performance outside.

“Three years ago, post COVID, this was the first concert that we could do in public and where Washburn allowed an audience in it. We liked how it sounded out here. We did it last year and it went well. So, this is going to be a thing that we just keep doing every spring as long as the weather cooperates,” Hansen said.

The event introduced a wide range of items that were used as instruments to create complementary music. It included flowerpots, gongs, water-dipped crotales, woodblocks and many more items.

Along with all of the pieces performed by Hansen’s team, he shared that “The Whole Toy Laid Down” by Dave Hollinden was the highlight of the concert. Hansen outlined how it was the most complex and challenging piece to execute, and the reason why it was the highlight.

“This is actually the piece that we took to the first annual Kansas Percussive Arts Society Ensemble Competition and they got first place,” Hansen said.

Many families were present among the crowds to watch the performance. The performers’ families were also there to support them and enjoy the music. One of the parents of a participant at the percussion concert, Paul Walrod, attended the event with his family and shared his opinion on the concert.

“I liked that they got to play a variety of instruments in a variety of styles,” Walrod said.

The concert concluded with all of the performers, including Hansen, performing “Fly As Me” by Silk Sonic, which featured an extensive use of steel drums.

Hansen also disclosed that the concert’s artists will perform their solo pieces on May 2 in White Concert Hall.

Edited by Cee Spiller and Aja Carter